![]() ![]() She uses pictorial mementos known to most of us and plays a semiotic game that makes quite common scenes to grow ambiguous, even breathtaking. In this film Cavani has also developed a cinematic language she nowhere else applies. ![]() Most of the philosophical points are given in visual argumentation that makes the film a real treasure box for anyone interested in visual thinking and its art. Spiritism, Mozart and a life just petered out make together a scene that is overwhelming in meanings. Cavani uses Mozart's music in a way that makes your spine tinkle. No one interested in Nietzsche or Salomé can leave this film without notice! The interpretation of some of Nietzsche's main ideas are well articulated and visually made comprehensible so that they both win in depth and become even more enticing. ![]()
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